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Improvising with Mini-Arpeggios, by Paul Musso
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This book and accompanying audio offer a unique, simplified approach to using arpeggios when improvising. The material is for guitarists of all levels looking to improve their technique and improvisation skills. This method makes it possible to seamlessly incorporate arpeggios into jazz improvisation. Included are over thirty arpeggio-based licks spanning major, minor, dominant, blues and ii-V-I categories. The book also presents straightforward methods for using arpeggios creatively. Most guitarists view arpeggios and scales as separate entities - this book solves this problem by illustrating the relationship between eight simple arpeggio fingerings and scales/modes. Several etudes are also included. These simple mini-arpeggios will provide the reader with an entire world of musical possibilities.
- Sales Rank: #2187991 in Books
- Brand: Mel Bay Publications, Inc
- Published on: 2013-11-04
- Original language: English
- Number of items: 1
- Dimensions: 11.50" h x .50" w x 8.80" l, .51 pounds
- Binding: Paperback
- 60 pages
Most helpful customer reviews
5 of 5 people found the following review helpful.
A linchpin for improv on guitar
By Majik
There are some excellent guitar books, many good ones, and a lesser number of truly useful ones. This book is solidly in the latter category as something that can make a difference in your playing in a month. Sometimes the simplicity of a concept is its strength, and this book has a strong and effective methodology for any genre of music. I need to mention that this book goes well with Joe Negri's "A Commonsense Approach to Improvisation". Both these small books are oriented to a triadic approach and pack a lot of effective methodology into a small space. "Mini Arpeggios" also fleshes out Sokolow's Fretboard Roadmaps series, and is great prep work if you want to tackle Garrison Fewell's Jazz opus, "A Melodic Approach to Improvisation ".
Paul Musso's book provides a functional, accessable and playable bridge to understanding the fingerboard and getting into the harmony and away from scales and patterns. I think this is good.
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